The film was directed by Isao Takahata, who is associated with the famous Ghibli Studio, source of the greatest Japanese animation. His colleague there is Hayao Miyazaki (“Princess Mononoke,” “Kiki’s Delivery Service,” “My Neighbor Totoro ”). His films are not usually this serious, but “Grave of the Fireflies” is in a category by itself. It’s based on a semi- autobiographical novel by Nosaka Akiyuki--who was a boy at the time of the firebombs, whose sister did die of hunger and whose life has been shadowed by guilt. The book is well-known in Japan, and might easily have inspired a live-action film. It isn’t the typical material of animation. But for “Grave of the Fireflies,” I think animation was the right choice. Live action would have been burdened by the weight of special effects, violence and action. Animation allows Takahata to concentrate on the essence of the story, and the lack of visual realism in his animated characters allows our imagination more play; freed from the literal fact of real actors, we can more easily merge the characters with our own associations. There are ancient Japanese cultural currents flowing beneath the surface of “Grave of the Fireflies,” and they’re explained by critic Dennis H. Fukushima Jr., who finds the story’s origins in the tradition of double-suicide plays. It is not that Seita and Setsuko commit suicide overtly, but that life wears away their will to live. He also draws a parallel between their sheltering cave and hillside tombs. Fukushima cites an interview with the author, Akiyuki: “Having been the sole survivor, he felt guilty for the death of his sister. While scrounging for food, he had often fed himself first, and his sister second. Her undeniable cause of death was hunger, and it was a sad fact that would haunt Nosaka for years. It prompted him to write about the experience, in hopes of purging the demons tormenting him.”
Posted on: Tue, 15 Apr 2014 18:18:52 +0000
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