“If the usual addiction arc has its junkie clinging on for dear life before taking the final, fateful plunge, Oslo, August 31st documents a young man convinced he’s missed his chance at a worthwhile life (if indeed such a thing exists), merely whiling away his last hours before the dark.” Senior film critic Tom Nixon writes on another of the decades most powerful films, Joachim Trier’s indelible character study Oslo, August 31st. themissingslate/2014/04/05/private-theatre-oslo-august-31st/
Posted on: Fri, 04 Apr 2014 22:30:04 +0000
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