Music and Letters, Vol. 94, No. 4 November 2013 ml.oxfordjournals.org/content/94/4?etoc Articles ‘Musica est optimum’: Martin Luther’s Theory of Music J. Andreas Loewe Beyond the Composer-Conductor Dichotomy: Bernstein’s Copland-Inspired Mahler Advocacy Matthew Mugmon Distributed Creativity and Ecological Dynamics: A Case Study of Liza Lim’s ‘Tongue of the Invisible’ Eric Clarke, Mark Doffman, and Liza Lim Review Article The Politics of the New Music Ben Earle Reviews The Cambridge Companion to Medieval Music. Ed. by Mark Everist. Henry Hope Louis Grabu, Albion and Albanius. Ed. by Bryan White. John Blow, Venus and Adonis. Ed.by Bruce Wood. Andrew R. Walkling The Theatre Career of Thomas Arne. By Todd Gilman John Cunningham Our Ancient National Airs: Scottish Song Collecting from the Enlightenment to the Romantic Era. By Karen McAulay. Ronnie Gibson L’Opéra de Paris, la Comédie-Française et l’Opéra-Comique: Approches comparées (1669–2010). Ed. by Sabine Chaouche, Denis Herlin, and Solveig Serre. Mark Everist The Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera. By Nicholas Baragwanath. Chloe Valenti The Politics of Plainchant in Fin-de-Siècle France. By Katharine Ellis. Emma Adlard Melodramatic Voices: Understanding Music Drama. Ed. by Sarah Hibberd. Peter Franklin Ceški glasbeniki v 19. in na zacetku 20. stoletja na Slovenskem. By Jernej Weiss. John Tyrrell Camille Saint-Saëns 1835–1921: A Thematic Catalogue of his Complete Works. Volume 2: The Dramatic Works. By Sabina Teller Ratner. Michael Strasser Composing for the Red Screen: Prokofiev and Soviet Film. By Kevin Bartig. Pauline Fairclough Edward Elgar: Letters of a Lifetime. Ed. by Jerrold Northrop Moore. Daniel M. Grimley Letters from a Life: The Selected Letters of Benjamin Britten. Volume Six: 1966–1976. Ed. by Philip Reed and Mervyn Cooke. Britten in Pictures. By Lucy Walker. Danielle Ward-Griffin Irving Berlin’s American Musical Theatre. By Jeffrey Magee. Naomi Graber György Ligeti: Of Foreign Lands and Strange Sounds. Ed. by Louise Duchesneau and Wolfgang Marx. Amy Bauer Stockhausen: A Theological Interpretation. By Thomas Ulrich, trans. Jayne Obst Paul V. Miller John Cage. By Rob Haskins Mark Delaere The Legacy of Cornelius Cardew. By Tony Harris. Virginia Anderson Liveness in Modern Music: Musicians, Technology, and the Perception of Performance. By Paul Sanden Arved Ashby Sonic Multiplicities: Hong Kong Pop and the Global Circulation of Sound and Image. By Yiu Fai Chow and Jeroen de Kloet. Shan Huang Postmodernism in Music. By Kenneth Gloag J. P. E. Harper-Scott
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