A band deserves more acknowledgment and attention amongst these pages next feature is ART ZOYD I have been able to combine both Waysides and ReRs descriptions : One of the original R.I.O bands (they joined in the second wave of bands, along with Art Bears and Aksak Maboul, if my failing R.I.O.-memory serves me correctly), they also had early ties with Univers Zero A drummer-less ( but very strong rhythmically) and unusual line-up: bass, guitar, violin, trumpet (the always impressive Jean-Pierre Soarez) and some small percussion. Playing complex, intricate and very fast compositions long, dynamic and highly concentrated pieces, filled with kinetic energy and coiled restraint; intensely musical, never obvious and they exploit the full resources of their instrumentation without ever abandoning the realm of tonality and metre. Early on they were filed close to Magma even sometimes opening for the group, though the similarities were mostly attitudinal and technical; Art Zoyd followed their own aesthetic. We are privileged to gave Gérard Hourbette , Thierry zaboitzeff and Jean-Pierre Soarez as members here in our group. Band history from Art Zoyds official site : Formed in Valenciennes in 1969, Art Zoyd was initially a progressive rock group, influenced by the music of Captain Beefheart, Frank Zappa and the like. 1971 was marked by the disbanding of some members of the group and by the arrival of Gérard Hourbette and Thierry Zaboïtzeff, who, after the founding member left in 1975, were to shape the destiny of the group by radically changing the direction of the group and exploring new avenues. There were to be no more drums or electric guitars, but a group of four musicians, 2 violins, bass and trumpet, which were to form the basis of the group for several years. In 1976, when their first LP was produced, Art Zoyd went on tour with the group Magma (Paris, Nantes, Toulouse, Colmar …). In 1978, it joined the international movement Rock in Opposition founded by drummer Chris Cutler with, among others, Fred Frith, Art Bears, Univers Zero, Stormy Six, Etron Fou Leloublan, Zamlas Mammas Manna… From 1980 to 1984, Art Zoyd toured all over Europe and became a figurehead of “new music” (also known as “Art Rock” or “Avant-Rock”…) In 1983, choreographer Roland Petit spotted the band in a televised concert and commissioned the music for a full ballet : Le Mariage du Ciel et de l’Enfer, premiered at the Festival de la Scala in Milan with Art Zoyd on stage, followed by thirty stagings in France, including twelve at the Théâtre des Champs Élysées in Paris. It was a revelation to discover that this music, with its radical choices and developments were so radical, could please such a large public, little used to the discordant harmonies and rhythmic beats of this new genre, combining amplified instruments, electric instruments, tapes and voices … It was from that time that the group decided to explore the combination of music and visual arts, whether performing arts such as dance and drama, or silent movies and video. Now based in Valenciennes, the group has turned regularly in Europe and the States (Lincoln Center Festival in New York), Hong Kong, Australia (Adelaide Festival), Japan (1997 and 2002) and Mexico (1996, 1999 and 2003). Asked to play for specific events such as the inauguration of the Globe Arena in Stockholm, the group also composed stage music. Art Zoyd has gone on to create music for films, such as Nosferatu (1988) and Faust (Rome – 1993) by F.W. Murnau, Häxan by Benjamin Christensen (Queen Elisabeth Hall – London 1995). Their success was amazing: Nosferatu is still performed over fifteen years after it was created, while Häxan and Faust were staged as recently as 2001 and 2003. Thierry Zaboïtzeff left the group in 1997, which was another turning point in the group’s history: Art Zoyd opened its studios to other artists and composers, working for three years with the Orchestre National de Lille on the Dangereuses Visions project that involved a symphonic orchestra, music technology and video. Luc Ferrari, Gérard Pape, Thierry de Mey, Heiner Goebbels, Pierre Vasseur, Helmut Oehring, Christophe Maudot, Eric Sleichim, Granular Synthesis, Gérard Hourbette, for the music and Granular Synthesis, dumb type, Michael Saup, Lydie Jean-Dit-Pannel, Hagen Klennert, Geert Mul, Safy for the images, all took part in these new “adventures”. The concerts (Lille, Créteil, Maubeuge, St Pölten, Mexico) attracted over 20000 people. From 2000, Art Zoyd pursued this experiment and joined forces with the Belgian ensemble Musiques Nouvelles in a long term project entitled Expériences de Vol (Flight Experiences), with the aim of founding a Cross-Border Center for the Production and Creation of New Music, which would offer residencies for artists or composers. The pieces (27 composition to date) are created on stage, then recorded in the studio by Art Zoyd and Musiques Nouvelles (triple CD c/o Sub Rosa). The center has extended the studio’s activities to include production, funding a multitude of projects (artistic advising, composition contests, classes and training courses, projects with amateur artists (u.B.I.Q.U.e, Nosferatu 2013, Antares Project, etc.) In 2001, Art Zoyd created and recorded Metropolis based on the film by Fritz Lang, for the fully restored version of the film. Metropolis is a sort of “meta-music” resulting from the “layering” of music by several composers, Gérard Hourbette, Patricia Dallio and Kasper T. Toeplitz who joined the group as an associate composer. In 2001, Gerard Hourbette also composes a music for Karole Armitage’s Choreography “the Cat of Schrödinger” for the National ballet of Nancy.
Posted on: Sun, 17 Aug 2014 18:20:49 +0000