Alliterative verse Virtually all Old English poetry is written in a single metre, a four-stress line with a syntactical break, or caesura, between the second and third stresses, and with alliteration linking the two halves of the line; this pattern is occasionally varied by six-stress lines. The poetry is formulaic, drawing on a common set of stock phrases and phrase patterns, applying standard epithets to various classes of characters, and depicting scenery with such recurring images as the eagle and the wolf, which wait during battles to feast on carrion, and ice and snow, which appear in the landscape to signal sorrow. In the best poems such formulas, far from being tedious, give a strong impression of the richness of the cultural fund from which poets could draw. Other standard devices of this poetry are the kenning, a figurative name for a thing, usually expressed in a compound noun (e.g., swan-road used to name the sea); and variation, the repeating of a single idea in different words, with each repetition adding a new level of meaning. That these verse techniques changed little during 400 years of literary production suggests the extreme conservatism of Anglo-Saxon culture.
Posted on: Fri, 29 Aug 2014 09:12:21 +0000
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