Best Price D.w. Fearn Vt-2 Dual Channel Vacuum Tube Microphone Preamplifier CLICK LINK BELOW FOR BEST PRICE The VT-series microphone preamplifiers from D.W. Fearn will change the way you think of audio quality. The transparency is astounding. Vocals sound smoother, warmer, more intimate, with a compelling presence. Any microphone and any sound will benefit from the improved clarity, definition, and lack of solid-state artifacts. The VT-2 preamplifier recreates the sound of classic tube preamps of the 1960s. Modern components and computer-optimized circuitry, unavailable during the vacuum tube era, elevate this design to a new level of performance. The VT-2 mic preamp was designed for optimal sonic quality, reliability, and durability. Like the best tube equipment of the 1950s and 60s, the VT-2 is built on a heavy-guage aluminum chassis, utilizing point-to-point wiring. Each vacuum tube is selected for minimum noise and microphonics, and maximum sonic clarity. The front panel switches control sealed, gold-contact precision relays for all audio switching, eliminating the possibility of dirty contacts degrading the sound and minimizing the internal audio path. Four class-A triode amplifier sections (in two tubes) in each channel comprise the entire active circuit. This surprisingly simple circuit, along with top-quality components and careful design optimization, results in the sonic superiority that the VT-2 has become known for. All over the globe, VT-2 preamps are in daily use in the worlds best studios, as well as in home project studios, helping many top recording artists achieve the best possible sound. Important Note: Due to heat given off by tubes, D.W. Fearn recommends that you provide at least one rack unit (RU) of space above and below their audio rack products. For proper cooling and a refined look for your rack, we highly recommend using D.W. Fearn Vented Rack Panels (#180296). Single-channel version D.W. Fearn VT-1 also available (see #180271). History of the VT-1 and VT-2 Vacuum Tube Microphone Preamplifiers One day in 1991 I was going through some old masters in a closet at home and came across a reel from 1968. It was one of the first studio recordings I ever made. I pulled the tape box off the shelf and thought about those days. Although I suspected that the recording might be a bit crude, I remembered that the music was pretty good, so I made a cassette to listen to in the car. I kept forgetting to put the cassette in my pocket for a few days, but finally I remembered to take it. That old recording brought back memories of my first studio and how primitive a setup it was. But listening to that tape was a revelation; some of the sounds were really nice. The vocals were full and warm but still punched through. Acoustic guitars had a depth I dont often hear in current recordings. And the sax solo wow! It ripped through with a grossly distorted but beautifully powerful sound. That recording was done on a 4-track Scully 280 and mixed to a 2-track Scully. My prize microphone was a Neumann U-87 and thats what was probabl Get best price here : bit.ly/1bSVKuY
Posted on: Tue, 15 Oct 2013 04:58:24 +0000
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